Art In Theory 1815 1900

Art in Theory 1815 1900 PDF
Author: Charles Harrison
Publisher: Wiley-Blackwell
ISBN: 9780631200666
Size: 48.16 MB
Format: PDF, ePub, Mobi
Category : Art
Languages : en
Pages : 1120
View: 4838

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Art in Theory 1815-1900 provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art.

Art In Theory 1815 1900

Art in Theory 1815 1900 PDF
Author: Charles Harrison
Publisher: Wiley-Blackwell
ISBN: 9780631200666
Size: 52.66 MB
Format: PDF, ePub, Docs
Category : Art
Languages : en
Pages : 1120
View: 7174

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Art in Theory 1815-1900 provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art.

Art In Theory 1900 2000

Art in Theory 1900   2000 PDF
Author: Charles Harrison
Publisher: Blackwell Publishing
ISBN: 9780631227083
Size: 12.34 MB
Format: PDF
Category : Art
Languages : en
Pages : 1258
View: 7152

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These 300 texts provide a vivid introduction to the history of art between 1900 and 2000. Major themes considered include: concepts of genius and originality, modes of landscape painting, the question of Modernity, and the aesthetics of photography.

Art In Theory 1648 1815

Art in Theory 1648 1815 PDF
Author: Charles Harrison
Publisher: Wiley-Blackwell
ISBN: 9780631200642
Size: 17.26 MB
Format: PDF, Kindle
Category : Art
Languages : en
Pages : 1248
View: 7569

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Art in Theory (1648-1815) provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars. Like its highly successful companion volumes, Art in Theory (1815-1900) and Art in Theory (1900-1990), its' primary aim is to provide students and teachers with the documentary material for informed and up-to-date study. Its' 240 texts, clear principles of organization and considerable editorial content offer a vivid and indispensable introduction to the art of the early modern period. Harrison, Wood and Gaiger have collected writing by artists, critics, philosophers, literary figures and administrators of the arts, some reprinted in their entirety, others excerpted from longer works. A wealth of material from French, German, Italian, Spanish, Dutch and Latin sources is also provided, including many new translations. Among the major themes treated are early arguments over the relative merits of ancient and modern art, debates between the advocates of form and color, the beginnings of modern art criticism in reviews of the Salon, art and politics during the French Revolution, the rise of landscape painting, and the artistic theories of Romanticism and Neo-classicism. Each section is prefaced by an essay that situates the ideas of the period in their historical context, while relating theoretical concerns and debates to developments in the practice of art. Each individual text is also accompanied by a short introduction. An extensive bibliography and full index are provided. For more details of our book and journal list in Art, visit http://www.blackwellpublishing.com/arttheory

Modernism In Dispute

Modernism in Dispute PDF
Author: Paul Wood
Publisher:
ISBN: 9780300055214
Size: 61.28 MB
Format: PDF, Mobi
Category : Art
Languages : en
Pages : 267
View: 4055

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This is the final volume in a series of four books about art and its interpretation from the mid-nineteenth century to the end of the twentieth. The books seek to explain the most important issues confronting any study of modern art, without attempting exhaustive coverage. They present a range of approaches characteristic of current art-historical debates. This fourth volume focuses on art since the 1930s, the main emphasis being on the period since the Second World War. The first chapter, 'Modernism and culture in the USA, 1930-1960', examines the ideological interests that governed the predominant Modernist account of the period. It establishes a different perspective by considering the connection between 'historical' and 'theoretical' debates in terms of the relationships between art, culture and society in the USA. Although the two focal points are the 1930s and the years after the Second World War, questions of cultural value and power in capitalist societies are also discussed in the context of parallels to be found in conditions during the 1990s. Chapter 2, 'The politics of representation', examines debates about the practices of art, art criticism and curatorial validation since the 1940s. These practices - considered as representations of ideas, values and beliefs - were produced in a period dominated by the Cold War consensus. A major issue is whether this consensus was ruptured during the late 1960s by a counter-culture characterized by, for example, feminism and the anti-Vietnam War movement. While questions about the function of art and culture are mostly located in the specific social and political conditions existing between the 1940s and the early 1970s, issues about thelegacy of this period are also considered. The final chapter, 'Modernity and Modernism reconsidered', examines the high Modernism of the 1960s and goes on to review movements such as Minimal Art, Land Art and Conceptual Art which continued or contested that tradition. It also considers various artistic forms of the 1980s and discusses the apparent revival of interest in painting. The chapter closes with an inquiry into the implications of the postmodernism debate for the practice of art today.

Fifty Key Texts In Art History

Fifty Key Texts in Art History PDF
Author: Diana Newall
Publisher: Routledge
ISBN: 1136493069
Size: 33.30 MB
Format: PDF
Category : Art
Languages : en
Pages : 288
View: 6647

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Fifty Key Texts in Art History is an anthology of critical commentaries selected from the classical period to the late modern. It explores some of the central and emerging themes, issues and debates within Art History as an increasingly expansive and globalised discipline. It features an international range of contributors , including art historians, artists, curators and gallerists. Arranged chronologically, each entry includes a bibliography for further reading and a key word index for easy reference. Text selections range across issues including artistic value, cultural identity, modernism, gender, psychoanalysis, photographic theory, poststructuralism and postcolonialism. Rozsika Parker and Griselda Pollock Old Mistresses, Women, Art & Ideology (1981) Victor Burgin’s The End of Art Theory: Criticism and Postmodernity (1986) Homi Bhabha The Location of Culture: Hybridity, Liminal Spaces and Borders (1994) Geeta Kapur When was Modernism in Indian Art? (1995) Judith Butler's Gender Trouble (1999) Georges Didi Huberman Confronting Images. Questioning the Ends of a Certain History of Art (2004)

Tiny Surrealism

Tiny Surrealism PDF
Author: Roger Rothman
Publisher: U of Nebraska Press
ISBN: 0803236492
Size: 18.17 MB
Format: PDF, ePub, Docs
Category : Art
Languages : en
Pages : 262
View: 6623

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"New light on both Dalí's well-known and little-studied works and his work as a response to modernism through a focus on Dalí's identification with the small and the marginal"--

The Routledge Companion To Arts Marketing

The Routledge Companion to Arts Marketing PDF
Author: Daragh O'Reilly
Publisher: Routledge
ISBN: 1135012202
Size: 55.85 MB
Format: PDF, Kindle
Category : Art
Languages : en
Pages : 416
View: 5209

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The relationship between the arts and marketing has been growing ever more complex, as the proliferation of new technologies and social media has opened up new forms of communication. This book covers the broad and involved relationship between the arts and marketing. It frames "arts marketing" in the context of wider, related issues, such as the creative and cultural industries, cultural policy and arts funding, developments in the different art forms and the impact of environmental forces on arts business models and markets. The Routledge Companion to Arts Marketing provides a comprehensive, up-to-date reference guide that incorporates current analyses of arts marketing topics by leaders of academic research in the field. As such, it will be a key resource for the next generation of arts marketing scholars and teachers and will constitute the single most authoritative guide on the subject internationally.

Aesthetic And Artistic Autonomy

Aesthetic and Artistic Autonomy PDF
Author: Owen Hulatt
Publisher: A&C Black
ISBN: 1441132309
Size: 46.47 MB
Format: PDF, ePub, Mobi
Category : Philosophy
Languages : en
Pages : 256
View: 7078

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Whether art can be wholly autonomous has been repeatedly challenged in the modern history of aesthetics. In this collection of specially-commissioned chapters, a team of experts discuss the extent to which art can be explained purely in terms of aesthetic categories. Covering examples from Philosophy, Music and Art History and drawing on continental and analytic sources, this volume clarifies the relationship between artworks and extra-aesthetic considerations, including historic, cultural or economic factors. It presents a comprehensive overview of the question of aesthetic autonomy, exploring its relevance to both philosophy and the comprehension of specific artworks themselves. By closely examining how the creation of artworks, and our judgements of these artworks, relate to society and history, Aesthetic and Artistic Autonomy provides an insightful and sustained discussion of a major question in aesthetic philosophy.

Renaissance Theory

Renaissance Theory PDF
Author: James Elkins
Publisher: Routledge
ISBN: 1135902453
Size: 42.53 MB
Format: PDF, ePub
Category : Art
Languages : en
Pages : 560
View: 5779

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Renaissance Theory presents an animated conversation among art historians about the optimal ways of conceptualizing Renaissance art, and the links between Renaissance art and contemporary art and theory. This is the first discussion of its kind, involving not only questions within Renaissance scholarship, but issues of concern to art historians and critics in all fields. Organized as a virtual roundtable discussion, the contributors discuss rifts and disagreements about how to understand the Renaissance and debate the principal texts and authors of the last thirty years who have sought to reconceptualize the period. They then turn to the issue of the relation between modern art and the Renaissance: Why do modern art historians and critics so seldom refer to the Renaissance? Is the Renaissance our indispensable heritage, or are we cut off from it by the revolution of modernism? The volume includes an introduction by Rebecca Zorach and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on Renaissance art including Stephen Campbell, Michael Cole, Frederika Jakobs, Claire Farago, and Matt Kavaler.